Madison: The University of Wisconsin Press. 1987. Collection of the important composer's lectures given in 1983 in Madison, Wisconsin. Signed and inscribed on the front free endpaper to his frequent collaborator, violinist Paul Zukofsky: "For Paul, / who doesn't need it, / With affection, / Milton / 6/5/90." 205 pp. Hardcover, purple cloth with dust jacket. Creases and edge wear to dust jacket; internally fine. With several post-it notes with personal anecdotes and jokes relating to Babbitt ("MBB") in the hand of Paul Zukofsky laid in. 7.25 x 10.5 inches (18.3 x 26.3 cm). Read More...
An amusing ca. 1900 French postcard featuring a bizarre collage of little babies "playing" orchestral instruments. Some writing in French along the lower border and verso, dated 1903.
New York: Harper Entertainment. 2005. First. Hardcover in dj. 8vo. 506 pp. Signed copy of the American actress's memoir, which Bacall has inscribed to actress Phyllis Newman on the title page: "For my dearest Phyllis / Here we are again - with more love + admiration than ever / xxx Betty". In fine condition. Read More...
Original watercolor and collage by the French painter and designer, incorporating visual motifs inspired by the body of a string instrument and the name "Bach" as collage element in the upper left. The artist's signature stamp in the lower right. Fine. 10.83 x 14.37 inches (27.5 x 36.5 cm).
A successful painter and designer, Albert Huyot was one of the many prominent students taught by Gustave Moreau (1826–1898).
Autograph copy of a psalm and hymn text in the hand of the 19th-century German composer and organist (unrelated to J. S. Bach), an important member of the musical life of Berlin and a teacher of the young Mendelssohn. Bach has written out the German text of a piece for choir and winds by Friedrich Schneider, "Jehowah! Dir frohlockt der König." 51 lines in ink and pencil in three sections, the first two headed "Psalm" and "Hymnus," and the final section in pencil with some strikethroughs and corrections. 3 pp. Unsigned, undated [ca. 1830's]. In delicate condition with creases and some significant tears, writing in pencil on the final leaf, overall good. 8.5 x 10.75 inches (22 x 27.2 cm).
Leipzig: im Schwickertschen Verlage. 1797. Second. Carl Philipp Emanuel Bachs / vormaligem Kapellmeister der Prinzessinn Amalia von Preussen und Musikdirector in Hamburg / Versuch / über die wahre Art / das Clavier zu spielen / Zweiter Theil, / in welchem die Lehre von dem Accompagnement / und der freyen Fantasie / abgehandelt wird. / Nebst einer Kupfertafel. / Zweite vom Verfasser verbesserte, und mit Zusätzen vermehrte Auflage. Ownership stamp of the Austrian cellist Rudolf Glickh to title page. 8vo. 7 x 8.25 inches (18 x 22 cm). [8], 280 pp. In fine condition throughout, nicely bound in three quarter brown cloth over marbled boards. Read More...
Leipzig: Faksimile-Reihe Bachscher Werke und Schriftst. 1971. 2-color collotype of the instrumental and vocal parts in their original format. Scored for hn, 2-ob, 2-vln, va, bc, and SATB chorus. Afterword by Werner Neumann. The facsimile designed to resemble the original, the folder in linen and decorative paper. The box folder that holds the score has shelf and surface wear, bumped corners and marks. The facsimile score is in excellent condition, complete, unmarked. 9 x 14 inches.
11235. [Bach, J.S. (1685-1750) & Handel, George Frederic. (1685-1759)] Gerber, Ernst Ludwig. (1746 - 1819). Historisch-Biographisches Lexicon der Tonkünstler, welches Nachrichten von dem Leben und Werken musikalischer Schriftsteller, beruhmter Componisten, Sanger, Meister auf Instrumenten, Dilettanten, Orgel-und Instrumentmacher, enthalt...Zweyter Theil. N-Z. - WITH 18TH CENTURY FRONTIS PORTRAITS OF BACH AND HANDEL
Leipzig: Breitkopf, und Compag.. 1792. First Edition. First edition of the second volume (of 2) of one of the most important and comprehensive musical dictionaries of the eighteenth century. 860 columns, woodcut borders and devices plus 80 pages index. Early stamp of the Hochschule fur Lehrerbildung Sarrebrücken to title, a few other stamps and notations, scattered foxing throughout, generally fine. Half leather over brown marbled paper boards, gilt decoration and title to spine. Facing stipple-engraved portraits of Bach and Handel bound in as frontispieces, outer edge of the second tipped along edge of the titlepage. Eitner IV, 204; Wolffheim I, 226; Gregory-Bartlett 108. Read More...
Original program from a March 20, 1894 performance at St.Michaelis Kirche in Hamburg, featuring the famous contralto under the direction of Prof. Julius von Bernruth, with organist Carl Armbrust and the orchestra lead by violinist Henry Schradieck. 16 pp., includes full text. Spotting throughout, crease in lower right corner, final two pages with large tears and significant losses (nearly entirely lacking). Read More...
Berlin: Albert Stahl. 1925. Signed title page from the Dutch pianist, composer, teacher and inventor. He has signed and inscribed on the cover of his piano arrangement of the Gavotte from Bach's 6th violin sonata: "To Miss Florence Bell / cordially / Martinus Sieveking / N.Y.C. 1925." Rather heavily toned; tear at the left edge and some corner and edge losses; remnants of black paper mount taped to the edges. Overall good. 10.75 x 13.5 inches (27 x 34 cm).
A rare and finely carved bust portrait of the great composer, ca. 1850s, likely based on an early nineteenth-century engraving. Carved walnut with good color and patination. Light mounting remnants on the verso. 4.75 x 6.5 inches (12.2 x 16.5 cm). Secular portrait carvings from this era are uncommon. Read More...
Autograph signature "JS Bach / 1733" on a page measuring 74 x 27 mm, known to have been clipped from one of the composer's three copies of Elias Nicolaus Ammerbach's Orgel oder Instrument Tabulatur. Provenance: Georg Kinsky; Gehard Herz; private collection, by descent, not previously offered on the market until now. Together with a half-length portrait lithograph, ca. 1840 (Artist unknown. Neumann: Bilddokumente B24). Read More...
London: London Gallery Editions. 1944. First. Softcover. 8vo. 47 pp. plus signed limitation page, hand numbered by the author 441 from the edition of 500. Pale green paper covers contained in the original yellow paper wrappers, all slightly toned but otherwise in fine condition; block split from cover along rear gutter with glue remnants visible along front and rear gutters. Several gatherings uncut. Overall a crisp, beautiful copy. Signed bilingual edition, translated by Roland Penrose and Mesens with illustrations by the author, including numerous poems concerning music, such as "La partition compléte / The Complete Score," accompanied by a two-page illustration of five staves covered in unusual key signatures and objects. Another poem "Le clavecin bien tamponné / de Jean Sébastien Bach / Entièrement Fait a la main / par l'artiste / en personne," appears with an illustration of a hand playing the piano. Read More...
Vintage photograph of the celebrated Greek pianist, signed on the mount "Affectionately Gina / 1970" and sold together with a 1970 printed Holidays card from Bachauer and her husband, Alec Sherman. Small pinhole to card, else fine.
Signed photograph of the celebrated Greek pianist, who is shown in a promotional portrait and has signed and inscribed at the foot to music critic Raymond Morin, dating 1951. Toning and buckling; overall very good. 8 x 10 inches (20.6 x 25.5 cm).
9906. Bachofen, Johan Caspar. (1695 - 1755). Musicalisches Halleluja, oder schöne und geistreiche Gesänge, Mit neuen und anmuthigen Melodeyen begleitet, und zur Aufmunterung zum Lob Gottes...Neunte und privilegierte Auflage.
Zurich: Burglischer Druckeren. 1776. Thick octavo. Full 18th century dark brown calf. [viii], 880, [viii] pp. With a fine frontispiece engraving depicting a winged female figure playing the keyboard with three seated cherubs playing a viol, violin and recorder seated around her. Binding worn, front board and endpage starting to separate but still relatively solid, brass remnants on board edges, apparently lacking original clasps, early ownernship markings ("Joh. Jakob Widler...Wiedikon / 1781") and remnants of wax seals to inner boards and endpages. Overall a fine copy of this important work by the Swiss composer and music pedagogue. Read More...
Large format original portrait photograph of the German pianist, who has boldly signed and inscribed to the lower mount in ink: "My most warm regards to my esteemed friend Frau Hofrat Hanfstaengl / Wilhelm Backhaus" and dated May 1, 1936. In fine condition, mount with verso borders reinforced, signed by the photographer lower right in pencil "Veresky"(?). Portrait 6.8 x 9.25 inches (17.3 x 23.5 cm.); mounted to an overall size of 10.25 x 13.3 inches (26 x 33.8 cm.). Read More...
Grouping of items relating to the German pianist, including a rare plaster casting of his hand, an original Kodak photograph of Backhaus in his older age, and a small volume of beautifully printed gravure photographs from the "Die Grossen Interpreten" series (Roger Hauert & A.-H. Eichmann, Geneva: Verlag R. Kister, 1957), inscribed to the ffe in pencil by Backhaus "Bitte, zurück an Fr. Erna Hanfstaengl" ("please return to Fr. Erna Hanfstaengl") and with a trimmed sheet of Grand Hotel Continental München stationery adhered to the inside front cover, inscribed and signed in blue ink by the pianist "Fraulein Erna Hanfstaengl / von Backhaus". Minor chipping to the plaster casting (specifically around the fingerprint areas); overall in fine condition. Read More...
Four original programs and one broadside from performances of the important German pianist and pedagogue (billed in Spanish as Guillermo Backhaus) and the Wendling Quartet, at the Buenos Aires venues Teatro Cervantes and Teatro Odeon in August-September 1921. The series of performances included chamber works by Brahms, Mozart, Beethoven and Schumann. The detailed program booklets, each about 20 pp., contain extensive program notes. Folding creases and toning, otherwise in fine condition. Broadside 8 x 10.25 inches (20.1 x 26.4 cm). Programs each 5.25 x 7.5 inches (13.5 x 19.2 cm). Read More...
Signed program from a February 5, 1955 all-Beethoven recital of the masterful pianist at Hunter College in New York. Backhaus has signed boldly over the program listing. Together with a promotional flyer advertising the concert. Paper clip mark; overall in fine condition. 7 x 10 inches (17.7 x 25.4 cm).