Hollywood, CA: Eternity Music. May, 1971. First. Large format published facsimile manuscript orchestral score for the ballet "PAMTGG" (Pan Am Makes the Going Great), inscribed by the composer to the father of American ballet in red ink above the printed dedication opposite the first page of music, "Dear George, I can never thank you enough for giving me the opportunity to work with you. It has been the purest and most rewarding experience of my life - working with you and for you. with love, Roger Kellaway." 137 pp, approximately 19 pages with minor annotations (musical notation, "Dancer --->" and other cues, instrumentation etc.) in same red ink. Textured black paper wrappers, plastic comb binding, 19.5"h x 14"w. Pages somewhat toned, plastic comb somewhat worn, overall very fine. Read More...
Original silver gelatin contact sheet, showing an assemblage of images of the American writer and activist in New York City, 1968 and including also images of an unidentified second figure, including some posed with Baldwin. Photographer's stamp and pencil notations to verso. In fine condition. 10.6 x 8 inches (27 x 20.3 cm.). Read More...
Grouping of three original ca. 1910 postcard photographs of ballet dancers in costume for various unidentified productions, issued in Florence, London, and Moscow. Minimal edge and corner wear, silvering to top half of one postcard, else fine. Approx.3.5 x 5.5 inches (8.8 x 13.5 cm.) each.
A striking sepia-toned photo of Ballet Español Ximénez-Vargas, signed by all six members, including Roberto Ximénez and Manolo Vargas, the Flamenco dancers who founded the ensemble in 1955. A number of small creases and surface creases, particularly along the lower edge, otherwise fine. 8 x 10 inches (20.3 x 25.4 cm)
Hand-colored glossy Rotary Foulsham & Banfield of London postcard photograph signed by the great Russian dancers who are shown in a striking back-to-back pose. Unrelated message written to verso, dated 22 August 1913. In fine condition. 3.5 x 5.5 inches (8.9 x 14 cm.). Read More...
Incredible signed photograph of three members of the great Messerer/Plisetsky ballet dynasty rehearsing together, including Soviet ballerina and choreographer Maya Plisetskaya posing with her younger brother Azari and an unidentified second male dancer under the direction of Maya and Azari's uncle, Bolshoi ballet master Asaf Messerer. All four individuals have signed their names in black ink. Mounting remnants to verso, else in very fine condition. 10 x 8 inches (25.4 x 20.3 cm.). Read More...
Ballet Russes de Monte Carlo souvenir program, signed by dancers Alexandra Danilova, Nina Novak, Frederic Franklin (who has signed three different photographs!) and Gerard Leavitt. 68 pp. Fine. 9 x 12 inches (22.9 x 30.5 cm.).
15586. [Ballets Russes]. Original 1936–37 American Season Program
Original souvenir program from the 4th American season (1936–37) of Col. W. de Basil's Ballets Russes de Monte-Carlo, featuring a striking color cover illustration of a knight by Natalia Gontcharova. The contents include photographs of stars and conductors including Leonine Massine, Lubov Tchernicheva, David Lichine, Antal Dorati, Efrem Kurts, and others; an 8-page color section with costume and set designs by Gontcharova, Cecil Beaton, Picasso, Leon Bakst, Raoul Dufy, and others; and a final 3-page section showing the dancers on tour—building sandcastles and engaging in various other more frivolous forms of entertainment. 64 pp. Wrapper detached from the block; edge wear to the cover; internally fine and overall in very good condition. 9.75 x 12.25 inches (24.5 x 31 cm). Read More...
15588. [Ballets Russes]. Souvenir Serge De Diaghileff's BALLET RUSSE - Original 1916 Tour Program
Original 1916 souvenir program from the first American tour of the Ballet Russe, featuring a cover illustration of Nijinsky in Scheherezade by Robert Montenegro and many full-color costume designs and other illustrations by Leon Bakst and others. The contents also include a photographs of Nijinsky in Spectre de la Rose, Bakst's Nijinsky as Faun, Adolf Bolm, Flore Revalles, and groups of dancers in Scheherezade, Prince Igor, and L'Après-Midi d'un Faune; ballet descriptions, an itinerary, and advertisements. Pages are of thick ivory uncoated paper, cover is thick mottled grey paper, with embossed gold art and letters. This is the more desirable variant of this program in that it features the superb illustration of Nijinsky in Scheherezade by Robert Montenegro on the cover; the tour program is more commonly found with a different cover illustration. Wrappers unfortunately mostly detached, with some losses to the cover; internal block intact with decorative cord binding; overall in good condition. 36 pp. 9.25 x 12.25 inches (23.2 x 31.2 cm).
Three Leon Bakst Satin and Rayon Hooded Capes from "Papillons," ca. 1914. In fine condition, formerly property of The Metropolitan Museum of Art, New York. Read More...
Sepia toned gelatin photograph of the important dancer, ca. 1912. Stamped "ADOLPH BOLM / 'THAMAR' / SERGE de DIAGHILEFF'S BALLET RUSSE" on the verso in violet ink. Right edge trimmed irregularly, small loss to upper left corner, light spotting, else in fine condition. 5.2 x 8 inches [13.2 x 20.3 cm]. Framed. Read More...
Bound collection of 6 concertinos for 4 violins, viola, cello, and basso continuo in score, copied from a manuscript at the Conservatoire de Paris, as prepared for and subsequently inscribed by Sergei Diaghilev. Long attributed to Italian Baroque composer Pergolesi, these pieces are a famous case of reattribution within the canon of classical music, having been identified in recent decades as the work of the Dutch composer and statesman Count Unico Wilhelm van Wassenaer. Half a century before this musicological consensus had been established, Diaghilev wrote his opinion in an inscription on the cover of the present manuscript (translated as follows from the French): Read More...
Gouache and watercolor over pencil on paper laid down on board. Inscribed in Russian (upper left and lower left) and with a collector's stamp (lower right). 16.5 x 10.4 inches (41.9 x 26.4 cm). Matted and framed to 37 x 54 cm. Read More...
London: William Heinemann. 1930. 2nd Printing. Signed copy of the autobiography of the great ballerina, Nijinsky's dance partner at the Ballets Russes, inscribed and signed on the front free endpage ("To 'Pearl' and 'Feonna' in one / with love / Tamara Karsavina / 1930"). 341 pp. Plain photographic illustrations, blue cloth rather worn, lacking dust jacket.
Karsavina's account of her early life at the Imperial Ballet School, and her subsequent career at the Marinsky Theatre and the Ballets Russes.
An original 1916 souvenir program from the first American tour of the Ballet Russe, with full-color illustrations of costumes by Leon Bakst, photographs of the dancers, signed by principal dancers Adolph Bolm and Flore Revalles. Bolm has signed below a photograph of himself firing a bow as Prince Igor; Revalles has signed below a photograph of herself in an oriental costume and dated Baltimore, November 14, 1916. The program contains many full-color illustrations and photographs, including a photograph of Nijinsky in Spectre de la Rose and Bakst's Nijinsky as Faun, ballet descriptions, an itinerary, and 2 pages of ads. Pages are of thick ivory uncoated paper, cover is thick mottled grey paper, with embossed gold lettering and an attractive illustration of Nijinksy in Scheherezade. 36 pp. Heavy edge wear to the covers, which are detached from the pages; internally in very good condition overall. 9 x 12 inches (23.5 x 31.5 cm).
Berlin; Moscou; St. Pétersbourg: Édition Russe de Musique (Russischer Musikverlag G.M.B.H.). 1913. First edition. Upright folio. 1f., 89pp [PN] 196. Hardcover. Wrappers mounted over tan buckram boards. Corners of boards nicked, tape affixed to lower spine, two small holes to the half title, else clean and in a good state. DeLerma S3, p. 80. CPM 54 p.444; Kirchmeyer: "Kommentiertes Verzeichnis Der Werke & Werkausgaben Igor Strawinskys bis 1971," pp.115-126. The first edition of the corrected version, published within a year of the first version. The full score was not published until 1921. Read More...
Profusely illustrated 1929 program for the Opera Privé de Paris production of “Prince Igor” by Borodine. 9.5 x 12.5 inches. 28 pp. Nine tipped-in color plates, including a portrait of its star singer, Maria Kousnetzoff; and, by Konstantin Korovine, six character costumes and two stage sets. The color cover is by J. Bilibine. Also included are full-page portraits of Madame Alexandra Balachova and of baritone Michel Benois, as well as many smaller photographs of other participants such as orchestra director Emil Cooper and choreographer-dancer Michel Fokine (who, a few years later, developed the famous Ballet based on Prince Igor). The center pages somewhat loose from the staples, edges slightly chipped, but complete and overall in very good condition. Read More...
Drawing, graphite on cream wove paper mounted on board, monogrammed lower left "Bs," ca. 1968. 11 3/4 x 15 7/8 inches. Monnier, Balthus Catalogue Raisonné of the Complete Works, 1999, p. 343, number D 1173.
From the Estate of actor Tony Curtis, a collector of Balthus' works and a friend of the notoriously reclusive artist.
Exuberant original 1963 candid photograph of the stunning Natalie Wood, the incredible Jerome Robbins and the magnificent Anne Bancroft. This photograph was taken backstage after the opening of "Mother Courage" which starred Miss Bancroft. 7 x 9 inches, clipping on the verso, slight bend along right edge.
Signed 20th Century-Fox Player promotional photograph of the American actress, who has boldly inscribed "To Paul / Anne Bancroft" in black ink. In very fine condition. 10 x 8 inches (25.4 x 20.3 cm.). Read More...